SDG Cantatafinder
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The Cantatafinder is a fan-made search tool and covers Johann Sebastian Bach’s surviving church cantatas recorded under the direction of Sir John Eliot Gardiner.
Author: Alexander Behrens Privacy Policy
In the calendar: 5th Sunday after Trinity BWV 88, 93
Your query returned 7 results:
| Composer | Johann Sebastian Bach |
| Title | BWV 8 Liebster Gott, wenn werd ich sterben (E major) |
| Occasion | 16th Sunday after Trinity |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | corno, flauto traverso, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 24 September 1724 (initial version in E major) |
| This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
| Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 104, disk 2, track(s) 13 14 15 16 17 18 |
| Composer | Johann Sebastian Bach |
| Title | BWV 9 Es ist das Heil uns kommen her |
| Occasion | 6th Sunday after Trinity |
| Genre | sacred cantata, chorale cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | violino I, violino II, viola, flauto traverso, oboe d'amore, basso continuo |
| 1st Performance | Leipzig, presumably between 1724 and 1735 |
| This recording | Ansbach, St Gumbertus live recording, 30 July 2000 |
| Performers | Monteverdi Choir, Joanne Lunn, Michael Chance, James Gilchrist, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 156, disk 1, track(s) 1 2 3 4 5 6 7 |
| Composer | Johann Sebastian Bach |
| Title | BWV 27 Wer weiß, wie nahe mir mein Ende |
| Occasion | 16th Sunday after Trinity |
| Genre | sacred cantata, chorale cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | corno, oboe I, oboe II, oboe da caccia, organo obligato, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 06 October 1726 |
| This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
| Performers | Monteverdi Choir, Katharine Fuge, Robin Tyson, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 104, disk 2, track(s) 7 8 9 10 11 12 |
| Composer | Johann Sebastian Bach |
| Title | BWV 70 Wachet! betet! betet! wachet! |
| Occasion | 26th Sunday after Trinity |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | soprano, alto, tenore, basso |
| Instruments | tromba (clarino?), oboe, fagotto (obligato?), violoncello (obligato?), violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 21 November 1723 (final version); original version: Weimar, 1716 |
| This recording | Lüneburg, Michaeliskirche live recording, 10 December 2000 |
| Performers | Monteverdi Choir, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 162, disk 2, track(s) 1 2 3 4 5 6 7 8 9 10 11 |
| Composer | Johann Sebastian Bach |
| Title | BWV 95 Christus, der ist mein Leben |
| Occasion | 16th Sunday after Trinity |
| Genre | sacred cantata, chorale cantata |
| Choir | four-part |
| Solo voice | soprano, tenore, basso |
| Instruments | corno / cornetto (literally 'cornio'), oboe I, oboe II, oboe d'amore I, oboe d'amore II, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 12 September 1723 |
| This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
| Performers | Monteverdi Choir, Katharine Fuge, Mark Padmore, Thomas Guthrie, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 104, disk 2, track(s) 19 20 21 22 23 24 25 |
| Composer | Johann Sebastian Bach |
| Title | BWV 161 Komm, du süße Todesstunde |
| Occasion | Purification of Mary and 16th Sunday after Trinity |
| Genre | sacred cantata |
| Choir | four-part |
| Solo voice | alto, tenore |
| Instruments | flauto dolce I, flauto dolce II, violino I, violino II, viola, basso continuo |
| 1st Performance | Weimar, 06 October 1715 |
| This recording | Santiago de Compostela, Santo Domingo de Bonaval live recording, 07 October 2000 |
| Performers | Monteverdi Choir, Robin Tyson, Mark Padmore, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 104, disk 2, track(s) 1 2 3 4 5 6 |
| Composer | Johann Sebastian Bach |
| Title | BWV 170 Vergnügte Ruh, beliebte Seelenlust |
| Occasion | 6th Sunday after Trinity |
| Genre | sacred cantata, solo cantata |
| Choir | solo only |
| Solo voice | alto |
| Instruments | oboe d'amore, organo obligato, violino I, violino II, viola, basso continuo |
| 1st Performance | Leipzig, 28 July 1726 |
| This recording | Ansbach, St Gumbertus live recording, 30 July 2000 |
| Performers | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner |
| Album | SDG 156, disk 1, track(s) 8 9 10 11 12 |